This production unwinds on the themes of the pilgrimage, of traveling both physically and symbolically. Inevitable encounter of different places; thoughts, beliefs, and different emotions. Noticeable diversity within the choreography constructed by the performers, themselves, within an open structure, where they bring their own baggage of experiences.

memoria (1989)

The movement that is born from rhythm of Memoria is heard during the interval - of silence - elements that make themselves irresistible sources of inspiration. In silence memory shows itself as a concrete presence with four image/actions: the motor of thought, fire, the tree trunk, and leaves.The movement that is born from rhythm of Memoria is heard during the interval - of silence - elements that make themselves irresistible sources of inspiration. In silence memory shows itself as a concrete presence with four image/actions: the motor of thought, fire, the tree trunk, and leaves.

This piece is sourced from the idea of the alchemy process of transmutation of elements, from which the dynamic process of psychological transmutation of the human being is read. The dance comes to assume a spiritual character, expression of interior processes.

Animus (1990)

Animus is inspired by Apuleiuses' Amor and Spyche, read as an allegory between complimentary, masculine and feminine components: The eternal dualism of life played out on stage with a intimate, introversive choreography, which creates a counterpoint for symbolic gesture expression of extrovert nature.

Far from an episodic reading of the story, this production is a reflection of the character Don Quixote. It is translated on stage in a combination between dance and music of rare expressive vivacity with metaphors' that represent themes such as utopia, cruelty, mystification, and dualism of appearance/reality. The character of Don Quixote remains a voluntarily unresolved enigma, reprocessed on stage in dance and open to infinite interpretations.

City bits (1994)

This piece is a game and the playing board is a metropolis. The players move individually or in chorus, sustained by solicitations, gestures and words that come from a contemporary society. A society of windy myths, where the wind makes myth together with other imperceptible o perceptible realities.

Un concerto per superare l’uomo (1995)

Inspired by Nietzsche's Zarathustra, this performance translates thoughts "in dancing figures, in a game of symmetry of every species"(Nietzsches). The open choreographic and musical structures permit to overcome, Nietzchianly, given limits of the various poetic languages.

Le curve dei pensieri (1995)

In this work the scenic space is a meeting point between dance and music and a place where these artistic expressions are open to transformation and reciprocal subversion. This creates an orchestration of movements and rhythms that curve the linearity of the creative process towards un-treaded paths.

LIPS (1995)

I° part of the PROGETTO ALVEARE (BEE-HIVE PROJECT)

Lips is a study of images, which is a basis of inspiration for a concrete and absolute dance. Lips is structured as a mosaic of brief and intense danced episodes, centered on the rapport between film/dance, inviting the spectator to reflect on the dynamic of thoughts and their associations.

WHAT (1996)

What is a study of relationships between people. on physical and psychological planes. The movement, the video, and the music, are inspired by Samuel Beckett's hermetic yet poetic style: a stylistic dualism that is translated at times in minimalist solo's, at times in danced choruses.

STONES (1997)

III° part of the PROGETTO ALVEARE (BEE-HIVE PROJECT)

This last part of the Beehive project has yet again existential Beckettien traces.
The essential themes of the work tell of life and of infancy, memories past, and visions of the future.

AGGIUNGI LIBERAMENTE (1998)

This work is the synthesis of the meeting between dance and music, with common ground being the element of improvisation. The theatrical space is renewed every instant in the urgency to follow an open yet common path, where the two languages live, pulsate, narrate, with awareness to what perhaps could be the spectators intuitive association of ideas.

SCIATICO NERVO (2000)

TEMPESTA DI SOGNI (2000)

IDIOM (2001)

FRANKENSTEIN DANCES (2002)

FRANKENSTEIN'S BEAUTY (2002)

TESTIMONE MODESTO (2002)